opkberlin.blogg.se - Adobe substance

This is Adobe’s third Scientific and Engineering Award, including After Effects and Photoshop’s 2018 recognition for their impacts on motion design and digital painting. “My team and I relied on Adobe Substance 3D as part of our integrated workflow to create every detail from the battleship to the oceans and more, which helped us deliver an amazing experience for audiences around the world.”Īdobe also reported that the Academy of Motion Picture Arts and Sciences® honored Adobe with a Scientific Technical Award for Substance 3D Designer’s contributions in visual effects and animation. “To create the climactic battle of `Black Panther: Wakanda Forever', Digital Domain built two complete digidouble armies, multiple super-powered combatants, and digital environments from scratch, and it all begins with the textures,” said Cosmi.

Digital Domain Texture Lead Artist Sarah Cosmi and her team used Substance 3D tools to polish the visuals in `Black Panther: Wakanda Forever', which earned five nominations including Best Visual Effects and Best Costume Design.

VFX artist Kara Blake shared that “In bringing this moving story to life, Photoshop and After Effects helped us craft the visual design of the film and integrate archival footage from multiple eras while Frame.io made remote collaboration easy and efficient.”

Adobe Creative Cloud and Frame.io were important tools for the post-production team of `Fire of Love', the National Geographic Documentary Films feature which earned a Jonathan Oppenheim Editing Award at Sundance as well as an Oscar nomination for Best Documentary Feature Film.“This allows our team the quickest workflow from design, to animation, back to changes, and then to final composites.” “All of Adobe’s tools play so well together,” said Hansen. `Top Gun: Maverick' Film UI designer Jayse Hansen turned to After Effects and Illustrator to supplement the practical interior shots of the various aircrafts by designing and animating the realistic cockpit, speed and command center displays that captivated audiences and earned six nominations, including Best Visual Effects and Best Picture.I was able to focus on the film, not the tools.” “Combined with Frame.io, the whole workflow was very intuitive.

“Premiere Pro is wonderful and I couldn’t imagine cutting in any other program,” said Rogers. Editor Paul Rogers and his team at Parallax Post relied on Premiere Pro, After Effects, and Frame.io to bring `Everything Everywhere All at Once' to life, earning 11 nominations including Best Film Editing and Best Picture.